Jerk Off!

Edfest Bouquets 2026

It’s time to award our fabulous virtual bouquets to our favourite shows from this year’s Fringe, listed below in order of viewing.

Drum roll, please…

Badgers (Traverse Theatre)

“This is a spellbinding production, weaving us into its fabric and leaving us utterly disarmed…”

Mortal Sin (Gilded Balloon Teviot)

” An eloquent piece of work, demonstrating what can be achieved with talent and a modest budget…”

Kirsty Mann: Corpse (Summerhall)

“A highly effective piece of storytelling, masterfully delivered…”

A Ghost Among the Living (Pleasance Dome)

“This may be Box Tale Soup’s finest achievement to date…” 

Endgame (Pleasance at EICC)

“Illuminates Beckett’s dream-like, complex play, making it more accessible than any other version I have seen…”

Jerk Off! (Underbelly Bristo Square)

“As well as Manzoor’s skilled performance, what makes this so powerful is her refusal to offer us any easy answers…’

Playback (Summerhall)

“A wonderfully affecting piece of theatre, made all the more powerful by its use of genuine found-footage…”

Dracula: Lucy’s Dream (Pleasance at EICC)

“A series of almost hallucinogenic scenes, which flow together into a surreal hour of movement, music and puppetry…”

Noted (Assembly Roxy)

“Noted is family-friendly in the best possible way. There really is something here for everyone. It’s silly, funny, clever and astonishing…”

Sanctuary (Pleasance Dome)

“At once tender and raw, the artifice of its clever construction never overpowering its humanity…”

Once again, we leave the Fringe amazed and impressed by the array of theatrical talent and creativity we’ve witnessed. Now for some much needed sleep!

Philip Caveney & Susan Singfield

Jerk Off!

17/08/26

Underbelly Bristo Square (Dairy Room), Edinburgh

Don’t be misled by the title. Jerk Off! is not a bro-comedy, akin to The Hangover or The Inbetweeners. Instead, it’s a profound autobiographical play about death, abusive relationships – and hip hop.

Nadia P Manzoor is a triple threat. Not only has she penned this provocative script; not only is she a compelling actor; this woman can really dance.

Framed as a story (or perhaps a lesson) for her daughter, Rumi, the play follows Nadia in the aftermath of her mother’s death. She’s only twenty when her mother dies and she doesn’t know how to process her grief. Her British-Pakistani family want her to get married to a nice Muslim boy, but Nadia wants to spread her wings. So when her cousin Zeinab invites her to Boston, she books a ticket right away.

Boston is a revelation: an internship at Harvard (thanks, Zeinab!), a hip-hop dance class and a hot boyfriend. And if the boyfriend’s behaviour raises a few red flags, well, that’s a small price to pay for a cool new life… Until it’s not.

As well as Manzoor’s skilled performance, what makes Jerk Off! so powerful is her refusal to offer us any easy answers. There is nuance upon nuance; there are no heroes or villains here. Instead, we have a cast of flawed humans, failing and succeeding, trying their best and falling short. By the end of the play, Nadia has come to terms with the imperfect reality of who her mother was. The message to Rumi seems to be that people are tricky and love is complicated – but we can learn to make peace with that.

Engaging, informative and challenging, Jerk Off! is not to be missed.

5 stars

Susan Singfield