Eddie Izzard is well known these days for running marathons, so it’s perhaps appropriate that she spends much of this film’s screen time sprinting headlong across the countryside with vengeful Nazis in hot pursuit. Six Minutes to Midnight is an old-school espionage potboiler, very much in the tradition of The 39 Steps, where stiff-upper-lipped Brits take on Hitler’s double agents in plucky and indomitable style. Co-written by Izzard, the tale is set in the exotic location of Bexhill-on-Sea and is loosely based around a true story.
Izzard stars as Thomas Miller, applying for the role of English teacher at a boarding school for German girls on the eve of the Second World War. The twenty girls in residence – who seem to spend much of their time working on their deportment – are presided over by headmistress, Miss Rocholl (Judi Dench), and by the sole other teacher, Ilse (Carla Juri), who seems thoroughly charming. Miss Rocholl is doubtful about Miller’s abilities, but she’s in an awkward position, as the former English teacher has recently gone missing under mysterious circumstances, so she agrees to a trial period.
It’s not long before Miller has his German pupils merrily singing It’s A Long Way to Tipperary, which is an unusual approach to English, to say the very least – and it comes as no great surprise to discover that Miller isn’t really an English teacher at all…
As the story progresses, it becomes increasingly apparent that hardly anybody here is quite who they appear to be. Is Charlie (Jim Broadbent) really a happy-go-lucky bus driver? Is Captain Drey (James D’Arcy) actually a British secret agent or something decidedly more sinister? And what is the significance of the film’s title?
To be fair, Six Minutes to Midnight makes a decent fist at generating a little mystery, but never really gets up a proper head of steam when it comes to the action sequences – and whenever the story stalls, it’s treated as a cue for Eddie to start running again. Poor Judi Dench has little to do but utter some of the lamest lines in history, as events spiral towards an underwhelming climax.
This is decent enough, but nowhere near as gripping as it needs to be.