Up Close

Edfest Bouquets 2017

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It was another fantastic three weeks at the Fringe for us. We crammed in as many shows as we possibly could – and still barely managed to scratch the surface. Here’s our pick of the best we saw this year. Congratulations to everyone mentioned.

Theatre

Seagulls – Volcano Theatre

Peer Gynt – Gruffdog Theatre

The Power Behind the Crone – Alison Skilbeck

Safe Place – Clara Glynn

Pike Street – Nilaja Sun

 

Comedy

The Darkness of Robins – John Robins

Kinabalu – Phil Wang

Dominant – John Robertson

Mistress & Misfit – Shappi Khorsandi

Oh Frig, I’m 50! – Richard Herring

 

Story Telling

One Seventeen – Sarah Kendall

These Trees the Autumn Leaves Alone – Will Greenway

The Man on the Moor – Max Dickins

Eggsistentialism – Joanne Ryan

Blank Tiles – Dylan Cole

 

Special Mentions

The Toxic Avenger: The Musical – Aria Entertainment & Flying Music

Up Close – Chris Dugdale

The Cat Man Curse – Pelican Theatre

Cathy – Cardboard Citizen Theatre

Well Meaning, but Right Leaning – Geoff Norcott

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Chris Dugdale: Up Close

17/08/17

Assembly Rooms, George Street, Edinburgh

There’s no other explanation: Chris Dugdale is actually a sorcerer. He’s not a performer who’s learned a load of tricks; he can’t be, because some of what he’s doing is simply impossible. Okay, so he’s a showman and he plays along with the schtick, delivering a few crowd-pleasers that we’ve seen elsewhere and can conceive of what the trickery might be (although we still don’t know how, but we can’t have everything), but there are elements here that simply don’t make any sense – unless we accept that he’s a wizard of some sort.

I mean, I don’t know how he does that stuff with the Rubik’s cubes, but I can go along with the idea that it’s a relatively simple blend of maths or dexterity – or, indeed, trick cubes of some sort. But the tiny tin of Altoids that never leaves the table… I won’t give any spoilers, but THERE’S NO WAY A MERE HUMAN CAN ACHIEVE WHAT HE DOES HERE! 

This is the third time we’ve seen Dugdale perform, and he gets better every time (or maybe he’s just making us think that with his mind control techniques?). This year’s show, Up Close, is much more dazzling and show-bizzy; there’s an energy and pace that has us buzzing from the start. He’s clearly enjoying himself, and his enthusiasm is infectious: the crowd is lapping up his act.

If you’ve had a busy day and are feeling tired or lethargic, get yourself along to the Assembly Rooms and see Chris Dugdale if you can. He’ll have you pepped up and grinning within a few minutes – although he may leave you doubting everything you think you know…

5 stars

Susan Singfield