Stef O’Driscoll

Edfest Bouquets 2019

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It’s that time again when we award (virtual) bouquets to the best shows we saw at this year’s EdFringe. From a plethora of performances over three weeks, here are our highlights. Congratulations to all concerned.

Theatre

Endless Second – Theo Toksvig-Stewart/Madeleine Gray/Camilla Gurtler/ Cut the Cord

Who Cares? – Jessica Temple/Lizzie Mounter/Luke Grant/ Matt Woodhead/ LUNG & The Lowry

Shine – Olivier Leclair/Tiia-Mari Mäkinen/Hippana Theatre & From Start to Finnish

Ripped – Alex Gwyther/Max Lindsay/Robin Rayner Productions

On The Other Hand, We’re Happy – Toyin Omari-Kinch/Charlotte Bate/Charlotte O’Leary/Daf James/Stef O’Driscoll/Paines Plough & Theatr Clwyd

Comedy

Jo Caulfield: Voodoo Doll – The Stand Comedy Club

Daliso Chaponda: Blah Blah Blacklist – CKP and InterTalent Group

Showstopper! the Improvised Musical – The Showstoppers/Something for the Weekend

Fishbowl – SIT Productions with Le Fils Du Grand Réseau

Beep Boop – Richard Saudek/Crowded Outlet

Special Mentions

Chris Dugdale – Down To One – Chris Dugdale Int Ents

Sexy Lamp – Katie Arnstein/Victoria Gagliano

 

Philip Caveney & Susan Singfield

Dexter and Winter’s Detective Agency

18/08/19

Summerhall (Roundabout), Edinburgh

Surely the hardest working trio in Edinburgh, Toyin Omari-Kinch, Charlotte Bate and Charlotte O’Leary are performing daily in not one, not two, but three plays here at Roundabout. I don’t know how they do it: so many lines to learn; such physicality required. But even now, as we head into the final stretch of the Fringe, they all look perky and healthy. Maybe they’re revelling in the joy of working with such interesting scripts, or maybe they’re just good at faking it. Whatever.

We’ve already seen them in heartbreaking, thought-provoking mode in Daughterhood (https://bouquetsbrickbatsreviews.com/2019/08/09/daughterhood/) and On the Other Hand, We’re Happy (https://bouquetsbrickbatsreviews.com/2019/08/11/on-the-other-hand-were-happy/). This time, we’re here for their children’s show, an altogether lighter affair, all high-octane energy and fast-paced storytelling.

Dexter and Winter’s Detective Agency, written by Nathan Bryon and directed (again) by Stef O’Driscoll, is all about friendship. Dexter (Omari-Kinch) has his world torn apart when his mum, Ange (Bate), is arrested, accused of jewellery theft. But his best friend, Winter (O’Leary), has a plan. Of course Ange is innocent. All they have to do is prove it, by finding out who the real culprit is.

There’s a serious undercurrent to the piece – there’s debt and immorality, betrayal and loss – but there are lots of jokes too. The performance is exuberant, the characters larger-than-life, and yet still credible. Special mention here to Bate, who plays countless roles, switching at breakneck speed, adding a hat here or an apron there: she’s Winter’s mum, she’s a policewoman, a train guard, a butcher, a bailiff… it’s endless.

Once again, Paines Plough deliver quality theatre, the direction totally in harmony with the performance space. Roundabout is the Fringe venue I can most rely on; I’ve never yet been let down by what they have to show.

4.2 stars

Susan Singfield