All Is True is a gentle affair and, actually, a perfect Sunday afternoon film. You know what I mean: it’s one to settle down in front of when you’ve eaten too much dinner and you want to engage with something clever but not challenging, fun but not frenetic. It’s a quality piece; how could it not be with its fine pedigree? With Kenneth Branagh starring and directing; with Judi Dench supporting; with Ben Elton providing the script? (Okay, I know Elton has his naysayers, but there’s no denying he’s good at this historical comedy stuff. Blackadder is still up there, I think, and Upstart Crow is pretty decent too.)
It’s the tale of William Shakespeare’s latter years, back in Stratford with his family after living apart from them in London. But now his theatre – the Globe – has gone up in flames, destroyed by a misfired prop cannon; he’s lost his mojo and he needs somewhere quiet to lick his wounds. Returning home also gives him the belated chance to mourn his dead son, Hamnet, who died of the plague while his father was away, and to repair his fractured relationship with his daughters and his wife. But there is scandal in small towns as well as in cities, and Will’s no stranger to it. His own father was a thief, and now his daughter, Susanna (Lydia Wilson), is caught up in a lawsuit, accused of adultery.
Interestingly, this is the second fictional interpretation we’ve seen of this affair (the recorded facts are sparse, but we do know that her accuser was found guilty of slander and excommunicated for his lies) – the first, The Herbal Bed by Peter Whelan, was performed at The Lowry in 2016 – you can read our review of it here: https://bouquetsbrickbatsreviews.com/2016/04/02/the-herbal-bed/.
But Elton’s scope is wider than Whelan’s, focusing too on the strange details of Hamnet’s death, and his twin sister Judith (Kathryn Wilder)’s reaction to it, as well as on Shakespeare’s own insecurities as a grammar-school educated merchant’s son, occasionally mocked by the upper-class university graduates he counts as his peers. There’s a meandering quality to the movie that suits its Stratford setting; the light is gorgeous and the period is beautifully evoked. It’s funny too, and informative. There’s no denying it’s a slight piece of work, a little bit of whimsy to while away the hours, but it’s entertaining and engaging, and, provided you’re not in the mood for something more demanding, perfectly enjoyable.