Alistair McGowan

A Simply Beastly Murder

29/08/26

Pleasance Dome (Jack Dome), Edinburgh

Rachel E Thorn’s A Simply Beastly Murder is our last show of this year’s Fringe, and it’s a spiffing one to end on. If you’re thinking ‘British film noir’ and ‘Enid Blyton adventures’ is a ludicrous idea for a genre mash-up, then you’re not wrong. It is ludicrous – gloriously so.

Although the Famous Five famously remained the same age for at least seven years’ worth of school holidays, they have – at last – grown up. For some reason, the often-overlooked middle kid, Dick (Alistair Mckay), prefers to be known as ‘Richard’ these days. He’s a PI, capitalising on his childhood experiences of solving crimes. Several years in the States have eliminated his English accent; he’s now a hard-boiled Marlowe-wannabe, complete with trilby, trench-coat and a drink problem.

But now he’s back in London, and he’s called his sister for help. Anne (Thorn), the baby of the group, has barely changed at all. Goody-two-shoes earnestness is still very much her thing, and she’s shocked to find her brother embracing a dissolute lifestyle. She urges him to return to Kirrin Island with her, but Dick – sorry, Richard – has a mystery to fathom first…

Who killed his girlfriend, Margot?

And will they try to frame him for the simply beastly murder?

Directed by James Stone and with additional voices provided by Alistair McGowan, A Simply Beastly Murder is a cleverly-crafted spoof, intertwining the contrasting styles to great comic effect. Immersing Anne amid the grit and grime of the sleazy underground club Dick frequents allows for plenty of square-peg-round-hole humour. Thorn maximises this by playing her role completely straight. The incongruity is delightful.

The show is playful, utilising a range of theatrical devices which we have been asked not to reveal here. Suffice to say, the invention is impressive. Perhaps the section where Dick is alone on stage, talking to pre-recorded voices, goes on too long; perhaps the plotting could be more ambitious. No matter; the production is slick and accomplished, a perfect digestif to say goodbye to Edfringe 26.

4.3 stars

Susan Singfield