The lockdown continues and we’re scratching around for new sources of entertainment. We don’t usually review television series, but a vague tip-off via Facebook alerts us to this strange hybrid, a compelling blend of Tokyo/London crime-thriller/character drama. It failed to connect with large audiences on its initial release, but is now available to watch on Netflix.
Maybe the title doesn’t help. Giri/Haji (which translates as the dull-sounding Duty/Shame) also boasts subtitles for much of its content and, as we all know, that can be enough to frighten off large sections of the viewing public. But here’s the rub. Giri/Haji is one of the best TV series we’ve seen in a very long time, and we’re soon hooked, bingeing on all eight episodes in just a few days.
The action begins in Tokyo, where world-weary Detective Kenzo Mori (Takehiro Hira) is horrified to learn that a recent Yakuza-style killing in London may have been perpetrated by his younger brother, Yuto (Yōsuke Kubozuka), missing-presumed-dead after some misadventures in his home city. The murder victim is the nephew of a powerful Yakuza leader and the ensuing fallout threatens to cause a war between the different factions of Tokyo’s organised crime network.
Kenzo is dispatched to London to find his brother, but soon falls into the orbit of lonely detective, Sarah Weitzmann (Kelly McDonald), who is ostracised from her colleagues. Then Kenzo’s troubled teenage daughter, Taki (Aoi Okuyama), follows him to London and… you know what? It’s pointless to say much more about the plot because it’s very complicated and will probably put off as many people as it entices. But let me assure you, over eight episodes, everything ties together beautifully.
What Giri/Haji has to offer in abundance is a whole bunch of surprises, incidents you really won’t see coming. Writer Joe Barton clearly delights in pulling the rug from under his viewers’ feet, something he does with considerable skill. You thought the details on a character were a bit sketchy? Well, hang on, in a later episode, there’ll be a deep dive that will take you back for a more in-depth look at him/her. You thought you had that other character well and truly nailed? Think again!
The other unexpected delight is how funny much of this is. Take Soho-based rent boy, Rodney (Will Sharpe), for instance, who can’t seem to open his mouth without unleashing an onslaught of invective-littered hilarity. Likewise, hardened criminal Abbot (Charlie Creed Miles) somehow manages to generate genuine threat whilst effortlessly dispensing corking one-liners. Even minor characters, people we only see once, for goodness sake, are gifted with fabulous lines of dialogue. And don’t go thinking that this is just a chuckle-fest, because the next thing you know, a Yakuza is being made to chop off one of his own fingers in unflinching detail.
There’s much more to commend this series: the animated introductions, the clever allusions to the way in which seemingly unconnected events can impact on each other, even when they happen thousands of miles apart and, in the final episode, a high action shoot-out that eerily metamorphoses into a Frantic Assembly-style dance number without pausing to take a breath. It’s a dangerous, audacious gambit that probably shouldn’t work – but absolutely does, big time.
For whatever reason it first failed to find its audience, Giri/Haji is right there, right now, ready to be explored at the touch of a button. If you’re too late for iPlayer, it will be on Netflix from Friday. Let’s face it, in the current situation, we can’t really argue that we haven’t got time…can we?