Traverse Theatre, Edinburgh
Ellen Renton’s Within Sight is a beautifully written piece, following a disabled athlete’s failed attempt to qualify for the paralympics. Like Renton, the protagonist has albinism, and is angry at the way the world seems set to trip her up.
Renton is clearly a talented poet: the language is rich and rhythmic, engaging and provocative. The video projections (by filmmaker Kiana Kalanter Hormoz) complement the narrative well, providing sighted members of the audience with a sense of the protagonist’s experience. And I like the running, the physical exertion, the beats that match the words. There’s a real sense of battle here, of exhaustion, of how it feels when simple, everyday actions are rendered difficult.
If there’s a problem, it’s that there’s not quite enough of anything: the play is very short (about forty minutes), and there’s certainly space within the story for more detail, more emotion, more elucidation. There’s plenty of scope for another twenty minutes’ worth, I think – although Renton might not relish the extra running that would entail…
Nevertheless, this is a thought-provoking performance, drawing much needed attention to the casual able-ism that permeates society.