In 2011, The Best Exotic Marigold Hotel made the cinema industry sit up and take notice. Here was a modestly budgeted film that raked in a hefty profit, but more significantly, it took it from the kind of mature audience that cinema usually fails to attract (i.e. not just 12 year old boys). So it was inevitable that sooner, rather than later, there’d be a sequel. And here it is, complete with a title that sounds worryingly like a self-fulfilling prophecy. It should be remembered that the original film was based on a rather good source novel by Deborah Moggach. This one appears to be an original screenplay, if by original, you mean borrowing an idea that famously appeared in an episode of Fawlty Towers. The kindest thing you can say about it, is that it’s a curate’s egg of a film, good in parts but those parts are few and far between.
Sonny (Dev Patel) is soon to marry his fiancé, Sunaina (Tina Desai), but first he plans to expand his operation by opening a second hotel and at the film’s inception, has gone to America to seek finance. In this enterprise he’s aided by the caustic Mrs Donnelly (Maggie Smith) her character slightly diluted from her original bitchy incarnation, but nonetheless still awarded most of the funniest lines. Meanwhile the usual suspects from Marigold 1 parade around having affairs with each other (Celia Imrie’s character, Madge, appears to have turned into a borderline good time girl,) while Evelyn (Judy Dench) and Douglas (Bill Nighi) are still failing to connect, even when it’s perfectly clear that the two of them are simply made for each other. Into this hotbed of geriatric passion wanders Guy Chambers (Richard Gere) who might or might not, be the hotel inspector who can grant Sonny’s expansion plan. Before you can say, ‘Basil Fawlty,’ Guy has the hots for Sonny’s widowed mother and much (alleged) hilarity ensues. The problem is, that this is all so obvious, it might as well have been performed as a series of semaphore manoeuvres. A last minute ‘twist’ fails to offer any surprises whatsoever. And what’s happened to Sonny’s character? In Marigold 1, he was charming in a bumbling, hapless sort of way, but here he’s a car crash of a person who can’t open his mouth without offending everybody in the vicinity.
On one hand, TSBEMH deserves respect for daring to portray senior citizens as genuine characters with real lives and real concerns; on the other hand, points must be deducted for its outdated portrayal of India as a country that has somehow never escaped the bonds of colonialism. The first film managed to skirt skilfully around these issues, but this time it just wades on in, seemingly without thinking. The climactic wedding features lots of dancing and larking about, but also comes with a large dollop of sentimentality, which once again, the first film was careful to avoid.
So, second best by name and certainly second best by nature. Ideally, the film makers should have gratefully accepted their groundbreaking hit and moved on to another idea, but of course, the movie business will always respond to a hit by throwing more money in it’s general direction. Can we ‘look forward’ to The Third and Final Exotic Marigold Hotel? God, I hope not.