The Cameo, Edinburgh
Happening – or L’événement – is a harrowing tale, directed by Audrey Diwan and based on author Annie Ernaux’s experience of an unwanted pregnancy. It’s 1963, and the students at Angoulême university are preparing for their exams. It’s hot and hormones are running wild, but sex is a shameful, clandestine activity, and ‘getting caught’ is every girl’s nightmare.
When Anne (Anamaria Vartolomei)’s period is late, she knows exactly what it means. She faces a stark choice: have a baby and forsake her dreams of a career in academia, or have an abortion, thus risking imprisonment or death. She’s a clever girl, destined for great things. She can’t bear to see her future curtailed; she’s not ready to be a mother. But procuring a termination proves punishingly difficult.
This is a hard film to watch. Vartolomei is compelling in the lead role, and her desperate isolation really strikes a chord. Poor Anne! No woman should have to go through such troubles alone. The ‘father,’ Maxime (Julien Frison), is useless. He’s more worried about what his friends think of Anne than he is about her plight. What does she want him to do? Nothing, she tells him. She’ll manage by herself – just as she has throughout this ordeal. Because there’s no one who can help. Not her mum (Sandrine Bonnaire); she’s so proud of her brainy daughter – how can Anne face disappointing her? Not her best friends (Luàna Bajrami and Louise Orry-Diquéro) – she can’t make them complicit because they’d face gaol time too. Not her doctor – he’s definitely not on her side. So Anne is utterly, irrevocably, unbearably alone.
She does find a way, of course. Women do. This is why banning abortion is nothing more than an act of wanton cruelty. Unwanted pregnancies don’t miraculously become wanted ones; women’s lives just get harder. Anne has to skulk in the shadows, begging for help from people she barely knows, hoping against hope they don’t betray her. And, when she does – finally – find someone who can assist her, she has to sell everything she owns to fund the procedure.
Meanwhile, Maxime’s still frolicking on the beach with his pals, his life untouched.
It makes me angry, watching this at the same time as Roe V Wade is under fire in the USA. We know what happens when women can’t access legal, safe abortions: they die. The Supreme Court is attacking women’s basic human rights, condemning thousands to suffer. How dare they?
Happening‘s release is a timely reminder of what we stand to lose. Although it’s set in the 1960s, it doesn’t have the feel of a period drama: the fashions are neutral, the obviously contemporary details restricted to the music and the law. This lends the film an immediacy: this issue isn’t just an historical one.
Laurent Tangy’s cinematography captures the oppressive summer heat, the bleached colours reminding us of time’s inexorable progress. As the weeks unfold and Anne approaches the point of no return, the impulse to look away becomes almost irresistible.
And yet we can’t. We mustn’t. Because Anne doesn’t have that luxury.