John Gallagher Jnr

The Miseducation of Cameron Post

 

11/09/18

Based on Emily M Danforth’s 2012 novel, The Miseducation of Cameron Post is the perfect teen movie for our times. Sure, it’s set in 1993, but it feels particularly prescient. On the one hand, society has become far more ‘woke’ about sexuality, with same-sex marriage widely accepted, for example; on the other, extremism is on the rise, and hard-won rights are being challenged once again. This film is a timely reminder of what we stand to lose.

It’s much more than that, of course. It’s also a heart-warming, heart-breaking coming-of-age tale, with a troubled teenager as its protagonist. Chloë Grace Moretz is the titular Cameron Post, an orphan raised by her evangelical Aunt Ruth (Kerry Butler). Ruth is a kindly woman, and she and Cameron are close. But when Cameron is discovered having sex with her best – female – friend, Coley (Quinn Shephard), she’s packed off to God’s Promise, a gay-aversion camp-cum-boarding-school, deep in the heart of Nowhere, Montana, where, it is hoped, she will learn to recognise her homosexuality for the heinous sin the church believes it is.

The camp is as bonkers as it sounds: whoever thought that bringing all the gay kids together and isolating them with same-sex room-mates would help them to avoid temptation? It’s all tragically well-meant: the leaders, Dr Lydia Marsh (Jennifer Ehle) and her brother, Reverend Rick (John Gallagher Jr) truly believe they are saving souls. The reverend himself is ex-gay, he says; he understands the teens’ troubles. Dr Lydia isn’t quite as compassionate, taking a cruel-to-be-kind approach, completely unaware of how tone-deaf she really is. “You have no idea what you’re doing, do you?” realises Cameron, in despair. “You’re making it up as you go along.”

Moretz is delightful in this role, all understated rebellion and silent agony. We never really know, until the end, if she will submit to the camp’s teachings, because she’s so uncommunicative and unsure. She doesn’t want to let people down; she doesn’t want to hate herself. But she can’t be someone other than who she really is. Being gay hurts her – isolates her from those she loves; it’s not easy for her to fathom what she ought to do. She gravitates instinctively though towards the cynical among her peers, Jane ‘Fonda’ (Sasha Lane) and Adam (Forrest Goodluck), with whom she smokes dope (smuggled in via Jane’s prosthetic leg) and mocks some of the nonsense they are made to spout. She finds real friendship here, and strength, and it’s a good thing she does. Because the camp is actually rather dangerous: the psychological damage might be inadvertently inflicted, but it’s just as ruinous as if it were intentional.

But these are sassy teens, with much spirit to spare, and even the sly manipulation of Dr Lydia (brilliantly conveyed by Jennifer Ehle) can’t suppress them forever. They’re bold and lively and they’re going to take on the world.

Bravo!

4.2 stars

Susan Singfield

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10 Cloverfield Lane

Unknown-1Unknown

25/03/16

You have to hand it to J.J. Abrams. The original Cloverfield was arguably one of the best shakey-cam horror films ever, a creature feature that starred a giant alien, venting its wrath on New York (with particular reference to the Statue of Liberty). Interestingly, Abrams managed to sneak the film out under the radar, meaning that nobody had an inkling about its existence until the first trailers appeared in cinemas. With 10 Cloverfield Lane, he’s somehow managed to repeat the trick, despite all the attention focused upon him because of a certain little Star Wars movie. So how does this film (produced by Abrams and directed by Dan Trachtenberg) relate to the first story? Well, interesting question…

Michelle (Mary Elizabeth Winstead) falls out with her boyfriend, climbs into her car and drives off into the night. Then she’s involved in a sudden and quite shocking accident. When she wakes up, she’s being kept prisoner in the underground bunker of survivalist Howard (John Goodman) who tells her that there’s been an ‘attack’ above ground and that everybody up there is dead. She’s then introduced to Emmett (John Gallagher Jnr) a local guy with a broken arm, who has taken refuge with Howard and pretty much confirms his story. The three of them, it seems, could be stuck down there for years, but luckily Howard has laid in plenty of provisions… including a selection of jigsaw puzzles.

The film divides, more or less, into three distinct sections – the first third is a mystery (what really is going on above ground? Is Howard telling the truth or is he actually some kind of power-crazy nut job with a hidden agenda?) Part two slips effortlessly into psychological thriller territory, as Michelle  discovers some unpalatable truths about Howard and plans her escape. And part three… well, it would be criminal to give too much away, but suffice to say that the film, brilliantly scripted by John Campbell and Matthew Stuecken) expertly and repeatedly pulls the rug out from under you, until you barely know what to expect next. Despite its cross-genre nature, its a riveting ride from start to finish.

As good as the first film? Yes. It’s so different and yet, in its own way, it’s another absolute corker. Go see it and be prepared for surprises.

4.8 stars

Philip Caveney