Assembly George Square (Studio Five), Edinburgh
Post-Mortem is the story of Nancy (Essie Barrow) and Alex (Iskandaar R Sharazuddin)’s teenage relationship, and the awkwardness of meeting as adults, ten years after splitting up. They have some serious unresolved issues, but is their best friends’ wedding really the appropriate place to finally confront these demons?
Both Barrow and Sharazuddin are deeply focused performers, with a physical intensity that suits this intimate play. Sharazuddin also wrote the piece, and he deploys some exquisite (and sometimes deliberately cringey) wordplay; the language is spare but poetic, the characters’ emotions deftly drawn. Nancy and Alex are not always likeable; they’re difficult and flawed – and that’s what makes this work.
The non-chronological structure is complex, but handled so well that we’re never in any doubt as to where and when we are. The show slips in time, and it slips in tone too: one moment laugh-out-loud funny, the next poignant and sad. These changing moods are as expertly choreographed as the dance sequences that punctuate the play.
Under Jessica Rose McVay’s assured direction, this is an impressive piece of work.