Curzon Home Cinema
Films that tackle the subject of mental illness are difficult to get right and the ones that do are few and far between. Eternal Beauty, written and directed by Craig Roberts, is more successful than most at capturing the confused and sometimes terrifying world of a schizophrenic.
It does seem odd, though, that a film set in South Wales and financed by the Welsh Film Board should feature such a paucity of Welsh actors in its cast. Robert Pugh, the only cast member with a noticeably Welsh accent, ironically spends the entire film in almost total silence.
Sally Hawkins is Jane, who, since being left at the altar by her fiancé many years ago, has increasingly drifted into a chaotic world of delusion, much to the bewilderment of her family. (In flashbacks, she’s played by Morfydd Clark, who is great, although she looks nothing like Hawkins.) Jane dwells in a place where ‘reality’ is in very short supply and where the aforementioned fiancé phones her at random times throughout the day and night, to whisper sweet nothings down the line.
Jane’s singularly unsympathetic mother, Vivian (Penelope Wilton) treats her condition with utter disdain, while her father, Dennis (Pugh), can’t even seem to voice an opinion. Jane’s two sisters, the likeable Alice (Alice Lowe) and the frankly unpleasant Nicola (Billie Piper), each deal with her condition in their own way.
Jane’s fragile existence receives a sudden boost when she reconnects with a friend from childhood. Mike (David Thewlis) styles himself as a musician – though the brief performance we’re treated to suggests that this may not be his true forte. However, his sparky presence revitalises Jane and it begins to look as though he may be just the man to lead her out of the dark labyrinth in which she’s become ensnared. But this is no fairy tale…
As ever, Hawkins submits a brilliantly nuanced performance in the lead role and she’s ably supported by a whole host of excellent performers. Kit Fraser’s cinematography cleverly uses colour palettes to define the different characters and there’s a suitably quirky soundtrack of vintage songs to supplement the action. Niggles aside, Eternal Beauty is well worth a watch, if only to marvel at Hawkins’ ability to take the most demanding roles in her stride – and to wonder how Roberts has somehow managed to make this bleak tale curiously life-affirming.