Tom at the Farm

07/01/18

Bedlam Theatre, Edinburgh

File this one under ‘suffering for your art.’ We’re at Edinburgh’s Bedlam Theatre on what must be one of the coldest nights of the year and, up on stage, young actor Yann Davies, who plays the eponymous Tom in Michel Marc Bouchard’s play, is stripped down to his underwear and gamely trying to convince us that he’s in a nice warm bedroom. It’s testament to his acting skills that he pretty much succeeds, even though we’re feeling distinctly nippy in heavy coats and woolly hats.

In this tightly-scripted four-hander, advertising executive Tom drives out to a remote farm somewhere in the backwoods of Canada to visit the family of his recently dead lover, Paul. When he arrives, he’s dismayed to find that Paul’s grieving mother, Agatha (Tilly Botsford), has no knowledge of Tom – indeed, she is under the impression that Paul was dating a French girl called Natalie. Tom also discovers that Paul has a brother, the glowering and rather intimidating Francis (Peter Morrison), who quickly impresses on Tom the necessity to maintain the deception and to tell Agatha exactly what she needs to hear. Tom soon finds himself being absorbed into the day-to-day running of the farm and it begins to look as though he might never return to his old life in the city…

EUTC’s production powers assuredly along, anchored by fine performances from the cast (particularly from Davies, who manages to convey so much through his expressions and gestures). There’s a slightly unconvincing strand towards the final third, with the arrival of Sara (Kathryn Salmond, last seen rocking an inspired Fagin opposite Davies in EUSOG’s Oliver!), who has been hired by Tom to impersonate Paul’s fictional French girlfriend, Natalie. To be fair, Salmond plays it really well, but the raucous humour seems somehow out of place in what has, up to this point, been a pretty tense and straight-faced tale. However,  the story soon recovers and heads towards a convincing climax. This is a student production, but everything here is done with great assurance – the set design, the lighting and the sound are all nicely handled and Joe Christie’s direction coaxes the best out of a talented young cast.

Go and see this while you still can – but, if the cold snap continues, take my advice and make sure you wrap up warm.

4 stars

Philip Caveney

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