Hell or High Water

hell-or-high-water

30/09/16

Brothers, Toby and Tanner Howard (Chris Pine and Ben Foster) are industriously robbing a series of small banks in West Texas and going to great lengths to conceal all evidence of their crimes. They aren’t doing it for the usual reasons, though, but in a desperate attempt to pay off a crippling loan on their late mother’s ranch, in order to secure the future of Toby’s two sons from his failed marriage. When the robberies come to the attention of aging Texas Ranger, Marcus Hamilton, (Jeff Bridges), he resolves to solve one last case before he retires…

Hell Or High Water is a searing look at the underbelly of America, where ordinary people struggle to make ends meet and where the real criminals (at least in the view of writer Taylor Sheridan) are the bankers, who make a rich living from foreclosing on those who can no longer afford to pay for their homes. It’s a side of the USA we rarely glimpse in movie theatres and for that at least, it deserves our attention. There’s plenty here to enjoy. Bridges excels as the crusty-as-last-month’s-tortillas lawman, forever bickering with his Native American partner, Alberto (Gil Parker), while lamenting a way of life that seems as doomed as the ranchers we glimpse herding their cattle away from a raging brushfire. And can we really take wholeheartedly against the Tanner brothers, when they are in such a desperate plight?

This is an unapologetically elegiac story, as stripped and spare as the desert landscapes in which the events take place – but as with Sheridan’s previous script, Sicario, it’s almost exclusively a man’s world and you’ll have to look very hard indeed to spot a properly developed female character. Forget the Bechdel test – all we are offered here is a parade of hookers, harpies and harridans – a shame, because just like Sicario, this is an otherwise assured production, strong on action and the hard bitten verbal interplay between its main characters.

The ending hints at unfinished business but wisely leaves us wanting closure. It’s a lean, taut action movie but the inclusion of some decent female characters would have lent it more depth, and assured it a higher score from yours truly. It’s good, but ultimately a bit of a missed opportunity.

3.8 stars

Philip Caveney

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