Victoria (Laia Costa) is a young Spanish woman, living and working in Berlin. We first encounter her dancing by herself at a nightclub and it’s there that she first meets Sonne (Frederick Lau) and falls for his boisterous chat-up lines. She’s supposed to go and open up the cafe where she works, but instead falls in with Sonne and his friends, Boxer, (Franz Rogowski), Blinker (Burat Yigit) and Fuss (Max Mauff) and agrees to go with them to visit a favourite hangout of theirs. As the night progresses, it’s clear that Victoria and Sonne are falling for each other – but when Boxer enlists Victoria’s help to drive a car for him, so he can do a friend ‘a favour’, the mood quickly switches into thriller mode and it becomes apparent that this is not going to end well for anyone involved…
As you may have heard, the ‘gimmick’ with writer/director Sebastian Schipper’s film is that it’s shot in one continuous take, which is of course, a monumental undertaking in itself. (Innarutu’s recent hit Birdman gave the impression of being shot in this way, but he managed to sneak in a few clever edits. This, however, is the real McCoy.) Schipper and his cast and crew manage to achieve their goal with such verve and brilliance, that you feel like applauding their ingenuity. (Apparently they could only afford three attempts to get everything right and the third take is the one they used).
But don’t go thinking that a gimmick is all that this film has to offer. There’s more. Much more. As the story progresses and Victoria and her new-found pals fall deeper and deeper into the brown stuff, Schipper expertly racks up the tension to an almost unbearable degree. This is gripping, nerve-shredding stuff that will keep you on the edge of your seat right up until the brilliant conclusion.
An unqualified triumph. Don’t miss it.