Assembly George Square, Edinburgh
Holly Walsh likes to paint herself as a bit of a nerd – back as a teenager, when all her mates were riding a maelstrom of illegal drugs and enjoying all kinds of sexual encounters, she was the one collecting her Duke of Edinburgh award. This pleasingly intimate performance is supported by her canny use of PowerPoint – a much neglected comedy aid. Some of her selected images have us laughing out loud, particularly her use of marginalia from medieval manuscripts (trust me, it’s much funnier than it sounds).
There’s also plenty of lively interplay with her audience, some cleverly improvised verbal exchanges and the performance never loses sight of its initial concept, that of the perennial ‘uncool’ individual beset by those who actually ‘have it.’ A sequence about a shaming event in a tapas bar was a particular highlight for me but, to be honest, the laughter never flags throughout the hour long set. Walsh may not be the coolest comedian on the block but, on the evidence of this show, she’s well on her way to being one of the funniest.