Alcohol. It’s a curse, right? So many people depend upon it, so many have their lives completely destroyed by it – and yet it still gets bought by the gallon on a daily basis…
It would have been so easy for Thomas Vinterberg to produce a dour, finger-wagging condemnation of his chosen subject, but happily, Another Round is much more nuanced that that. This is a film that also highlights the powerful allure of alcohol, a film that makes you understand why so many of us can’t help but dance to its tune. Furthermore, it’s a story about male friendship that manages to avoid the usual clichés to deliver something genuinely heartfelt and realistic.
Martin (Mads Mikkelsen) is a history teacher at a Danish high school. He’s been in his job for years, he’s happily married to Anika (Maria Bonnevie) and he has two teenage sons. But somewhere along the way he’s lost his drive and now finds himself teaching on auto pilot, making evident mistakes as his students look on in dismay. His sons seem to be hardly aware of him and Anika, a nurse, is permanently on the night shift. In short, he’s looking for something to inspire him.
On a night out with fellow teachers, PE instructor,Tommy (Thomas Bo Larsen), chemistry teacher, Nikolaj (Magnus Millang), and music teacher, Peter (Lars Ranthe), Martin picks up on something that Nikolaj mentions over a boozy dinner – a theory put forward by psychiatrist Finn Skårderud, namely that maintaining a constant blood alcohol level of 0.05% will make a person more relaxed and creative.
Martin decides to put it to the test, only to find that it actually appears to work. His pupils are reinvigorated by the ‘new’ Martin. In class he’s assured, slick, entertaining, and, as his alcohol level rises, so does his students’ enthusiasm for his teaching. It isn’t long before his three friends want to get in on the act, with sometimes hilarious – but ultimately tragic – consequences.
Another Round steadfastly refuses to be maudlin, ensuring that many of the alcohol-fuelled antics are positive ones and pointing out that the consequences of being drunk vary from person to person. Indeed, a climactic scene where Martin – a jazz ballet dancer in his teens – is inspired to strut his moves again, once he’s suitably fuelled with champagne, is a joyful, exuberant celebration of being ‘under the influence.’
Little wonder that, after viewing this intoxicating film, we headed straight for the bar to discuss it in an appropriate setting…