theSpaceUK Triplex, Edinburgh
It’s easy to see why Samuel Bailey’s Shook won the 2019 Papatango New Writing Prize, and why it garnered so much attention on its debut. It’s a beautifully written piece, full of warmth and humour: a brutal exposé of a society that condemns some people to the scrapheap almost from birth, and – at the same time – a heartbreakingly intimate tale.
Twisted Corner’s production does the material proud. Cain (Kieran Begley), Ryan (Ryan Stoddart) and Jonjo (William Dron) are young offenders. They’re also young fathers – or they’re about to be. Grace (Rebecca Morgan, who also directs) is their new teacher, running weekly parenting classes, hoping to help them break the cycle, to give their children a better start than any of them ever had – and to give them something to look forward to.
It’s an uphill battle. Of course it is. The odds are stacked against these boys. They have to negotiate so much just to get by: it’s a pitiless life, with obstacles at every turn. There’s a pecking order, and other people’s anger to endure – and that’s just inside. Outside, they know, is a world that doesn’t want them, that never wanted them; what is there to go home to, if they ever do get out?
The direction here is spot on: Morgan creates an atmosphere of absolute authenticity. The performances are nuanced and complex, each character fully realised. It’s emotionally draining – I’m laughing, then crying, then laughing again. Begley, in particular, has me on edge, Cain’s jangly, unpredictable energy making me fearful as well as sad. And all the time, I’m just hoping against hope that the boys will find the happy endings I know will elude them.
This is a stunning piece all round: the writing, direction and performances combine to create something really powerful and yet humbling. What we have here, in the end, is a fascinating examination of masculinity and fatherhood, and a tentative step towards redemption.
I have no criticism. None. This is note-perfect.