With a fourteen year gap between the first film and this sequel, writer/director Brad Bird can hardly be accused of rushing things into production – and the original was so perfect, it almost makes me wish he’d chosen to leave it as a standalone. But whether we want it or not, here’s a follow-up and it’s very every bit as assured as you’d expect from Pixar.
2 takes us straight to the heart of the action as Mr Incredible (Craig T. Nelson), Elastigirl (Holly Hunter), Violet (Sarah Vowell), and Huck (Dashiell Power) take on the villainous Underminer, who is wreaking havoc in the city centre with the aid of a huge drilling rig. The Parrs are somewhat hampered by the fact that, whilst doing their super heroic duties, they also have to mind the newest member of the family, baby Jack-Jack (Eli Fucile), but at least they have the help of Frozone (Samuel L. Jackson), still the coolest super-dude on the block.
It quickly becomes apparent that not much has changed in the city of Metroville. Superheroes are still outlawed and the Parr family have been reduced to living in a shabby motel, whilst tackling villains in their spare time and generally being vilified by the press for having the temerity to do so.
But things start to look up for the Parrs when they are approached by wealthy communications mogul, Winston Deavor (Bob Odenkirk), who, with the help of his tech-whiz sister, Evelyn (Catherine Keener), is planning to make superheroes respectable again and, what’s more, they have the kind of funds needed to back up such an operation. After some consideration, Winston decides to start the ball rolling by focusing his efforts exclusively on Elastigirl.
This means she now has to go out and fight crime on a nightly basis, while her husband stays home to mind the kids. This would be fine, of course, but unfortunately Jack-Jack is now displaying signs that he too has special powers and, while the others members of the family are content with just one apiece, he has been blessed with many different abilities. Furthermore, if he doesn’t get a cookie exactly when he wants one, he’s apt to turn into a raging monster. (Bird is making a point here, I think…) Elastigirl soon finds herself taking on the mysterious Screenslaver, a villain who specialises in hypnotising victims by making them look at a screen… hmm. That sounds depressingly familiar.
Incredibles 2 does exactly what its progenitor did so well. There are action set pieces aplenty (perhaps one too many, which gives proceedings a slightly saggy middle, but that’s a minor niggle), the 60s style artwork is er… incredible and, best of all, there are the characterisations, the animated faces somehow allowing you to share each person’s inner life. I’ve rarely seen it done as convincingly or as effortlessly as it is here. If the Screenslaver’s secret identity is easily guessable from early on, well, we should remember that these films are aimed primarily at children, even if Pixar do excel at creating material that’s also suitable for big kids like me. All in all, this is a resounding success, so what’s not to like?
And… what do we think? Incredibles 3 in 2032?
Sounds like a plan. I hope to see you there.