Tonya Harding

Film Bouquets 2018

Bouquets&Brickbats

Bouquets&Brickbats

Bouquets&Brickbats

2018 has yielded a lot of interesting films, and it’s been hard to choose which most deserve Bouquets. Still, we’ve managed it, and here – in order of viewing – are those that made the cut.

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Alexander Payne’s brilliant satire had its detractors, mostly people who had expected a knockabout comedy –  but we thought it was perfectly judged and beautifully played by Matt Damon and Hong Chau.

Coco

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A dazzling, inventive and sometimes surreal love letter to Mexico, this Pixar animation got everything absolutely right, from the stunning artwork to the vibrant musical score. In a word, ravishing.

The Shape of Water

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Guillermo del Toro’s spellbinding fantasy chronicled the most unlikely love affair possible with great aplomb. Endlessly stylish, bursting with creativity, it also featured a wonderful performance from Sally Hawkins.

Lady Bird

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This semi-autobiographical story featured Saoirse Ronan as a self-centred teenager, endlessly at war with her harassed mother (Laurie Metcalfe). Scathingly funny but at times heart-rending, this was an assured directorial debut from Greta Gerwig.

I, Tonya

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Imagine Good Fellas on ice skates and you’ll just about have the measure of this stunning biopic of ice skater Tonya Harding, built around an incandescent performance from Margot Robbie, and featuring a soundtrack to die for.

A Quiet Place

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This film had audiences around the world too self-conscious to unwrap a sweet or slurp their cola. Written and directed by John Kransinski and starring Emily Blunt, it was one of the most original horror films in a very long time – and we loved it.

The Breadwinner

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Set in Kabul, this stunning film offered a totally different approach to animation, and a heart-wrenching tale of a young woman’s fight for survival in a war-torn society. To say that it was gripping would be something of an understatement.

American Animals

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Based on a true story and skilfully intercutting actors with real life protagonists, Bart Layton’s film was a little masterpiece that gleefully played with the audience’s point of view to create something rather unique.

Bad Times at the El Royale

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Drew Goddard’s noir tale brought together a brilliant cast in a unique location, and promptly set about pulling the rug from under our feet, again and again. There was a superb Motown soundtrack and a career making performance from Cynthia Erivo.

Wildlife

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Based on a Richard Ford novel, this subtle but powerful slow-burner was the directorial debut of Paul Dano and featured superb performances from Carey Mulligan, Jake Gyllenhaal and newcomer, Ed Oxenbould.

The Ballad of Buster Scruggs

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The Coen brothers were in exquisite form with this beautifully styled Western, which featured six separate tales of doom and despair, enlivened by a shot of dark humour. But, not for the first (or the last) time, we heard those dreaded words ‘straight to Netflix.’

Roma

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Another Netflix Original (and one that’s hotly tipped for the Oscars), this was Alfonso Cuaron’s lovingly crafted semi-autobiographical tale off his childhood in Mexico, and of the nanny who looked after him and his siblings. It was absolutely extraordinary.

Philip Caveney & Susan Singfield

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I, Tonya

18/02/18

Just when you think  the Oscar race can’t get any tighter, in swaggers I, Tonya, straight out of left field and hits you with a hefty sucker punch, right in the kisser. This noisy, brazen biopic is wonderfully enervating and it’s clear that its claim to be ‘the Good Fellas of figure skating’  isn’t so very wide of the mark. Indeed, the constant jumping from time-frame to time-frame, the fake interviews, the occasional deadpan remarks delivered straight to camera and, above all else, the wonderful classic rock soundtrack – all serve to remind you of Martin Scorcese’s finest movie. But it’s much more than just a pale imitation of that film. There’s so much to admire here, not least Margot Robbie’s incendiary performance in the title role.

Tonya Harding, it seems, had a fight on her hands from her earliest days. Knocked around by her hard-as-nails, chain-smoking momma, LaVona (Alison Janney, in brilliant Oscar-baiting form), beaten up by her ne’er-do-well husband, Jeff (Sebastian Stan), she manages to battle through, performing manoeuvres on the rink that no other skater has ever dared to try –  but her ‘wrong-side-of-the-tracks’ persona doesn’t stand her in good stead with the judges, who like to see a little more deportment doled out alongside the leaps, twirls and pirouettes.

Of course, we all know why she came to wider attention – through the notoriety of a vicious attack on her main rival, Nancy Kerrigan (Caitlin Carver), which left her hospitalised just as they were both preparing to skate in the Olympics. Despite being only tangentially involved in the incident – it was originally devised as a series of poison pen letters by Jeff and then pumped up out of all proportion by Tonya’s so-called ‘bodyguard,’ Shawn – Tonya ends up paying the highest price when Shawn decides to go a bit further with the plan and enlists the aid of some very dodgy people indeed. What follows is so bizarre, it can only be a true story…

Director Craig Gillespie handles the material with an edgy, almost experimental approach, throwing in slow-mo and jump cuts with glee – and the mesmerising skating sequences are so cleverly staged, you literally cannot see the joins. That appears to be Robbie on the screen, skating up a storm, but it can’t really be, can it? Like many other recent biopics, there’s a final sequence of interviews showing the real life protagonists, just so you can fully appreciate how close these characterisations keep to the originals, which is particularly surprising in the case of Paul Walter Hauser’s hilariously off-the-wall performance as the cartoonish Shawn. It’s an eye-opener.

Go and see this riotous, hard-hitting and occasionally hilarious film and enjoy what must qualify as one of the strangest sporting stories in recent history. And as for that rock soundtrack, if you can manage to sit in your seat without twitching and foot-tapping along in accompaniment, then you’re made of sterner stuff than me.

4.9 stars

Philip Caveney