30/04/26
Assembly Roxy
Off the Rails is Stephanie MacGaraidh’s professional writing debut – and what a debut it is. Playwright, songwriter, actor, musician: this is a one-woman show in every sense of the phrase. And it’s extraordinarily affecting.
It’s an auspicious start to the Assembly Roxy’s first ever season of Òran Mór’s A Play, A Pie and A Pint, whose productions usually play at the Traverse when they come to Edinburgh. The venue works well for the small-scale black box shows that PPP is known for, although the old building is not very accessible, which might exclude some of the Traverse’s regular patrons. If the rest of the plays are as good as this one, it will be a real shame for them to miss out.
MacGaraidh is Maggie, a woman on the run – or, more specifically, a woman on a train. In the quiet coach. Wearing pyjamas. With only an empty tote bag and a stale Go Ahead bar as luggage.
It’s not the way most people dream of spending their 30th birthdays…
The tone evolves with the people Maggie meets on her journey north, from raucous hen party to lonely widower. MacGaraidh plays every character with conviction, eliciting both laughter and tears. Maggie’s story emerges bit by bit, revealed through an enticing mix of song and monologue, slowly revealing a young woman who has never really recovered from high school bullying, and whose adulthood is blighted by social anxiety.
I’ve rarely seen a looper used to such excellent effect, not only as backing vocals and added guitar, but also as interior monologue, amplifying the tension as Maggie’s life veers off the rails. The intrusive train announcements intensify the pressure even further, so that we’re as relieved as Maggie when one final encounter brings her back from the brink.
Directed by Katie Slater, Off the Rails is a triumph – and MacGaraidh is surely a star in the ascendance.
4.5 stars
Susan Singfield
Bouquets & Brickbats 