Max Casella

Late Night

12/06/19

Mindy Kaling’s feature debut is a warm, witty and timely tale, a gentle rebuke to those who bemoan positive discrimination, blind to the privilege that underlines their own positions. To Kaling’s credit, the overt message in no way impedes the film’s humour or likability.

Kaling stars as Molly, an Indian-American woman, who’s been working as an admin assistant in a factory – sorry, chemical plant. An essay-writing competition affords her the chance of a lifetime, the opportunity to write for her hero, late night TV host, Katherine Newbury (Emma Thompson). But, while Katherine is keen to improve  her show’s ratings by shaking up her all-white, all-male writing team, the men themselves are less accommodating, threatened by the presence of an outsider. It doesn’t help that one unfortunate latecomer is literally fired as Molly hovers near his seat.

Thompson is magnificent as the imperious, demanding Katherine. Our view of her is softened by the tenderness of her relationship with her husband, Walter (John Lithgow), who is struggling to come to terms with the effects of Parkinson’s disease. This strand offers us an insight into Katherine’s psyche, and helps us to appreciate the sheer talent and drive that has led to her success, and the potential cost of failure. No wonder she is exacting and difficult.

It turns out Molly is exactly what Katherine needs. Not because she is a genius; not because she’s better than all the guys. But because she is as good as them, and she has something different to offer, a less comfortable, tried-and-tested approach. In her innocence, she questions their assumptions and, in time, makes them question themselves.

It’s not all one way though; Molly is not a one-woman saviour – she has lessons to learn too. Veteran writer, Burditt (Max Casella), and conceited ‘head of monologues’, Tom Campbell (Reid Scott), as well as Walter and Katherine themselves, all have sage advice to offer her. The lesson here is simple: we all benefit from inclusivity.

If this makes the film sound dull, then I’m doing it a disservice. It’s properly funny, with Kaling’s genial charm a perfect foil for Thompson’s acerbic wit. Molly’s quiet determination proves a force to be reckoned with, and provides plenty of laughs along the way.

Late Night is a cracking story – a political rom-com for our times.

4.2 stars

Susan Singfield

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