As an unabashed remainer (and a sore loser), I didn’t bother to seek this out on its theatrical release. But enough political water has passed under the bridge for it to pique my interest when I spot it still lurking on Netflix. Besides, it’s interesting to look back on this story at a time when Dominic Cummings has become arguably the most loathed man in the UK. He’s played here by Benedict Cumberbatch, who doesn’t look anything like the real McCoy, but who delivers a pretty good impersonation nonetheless.
Any fears I might have that the film would portray Cummings as some kind of maverick hero figure are soon dismissed. It’s clear that writer James Graham has no particular love for his subject. Indeed, Cummings is depicted as a self-serving nihilist, a man handed a difficult job, plus complete autonomy, who is determined to win at any cost, no matter how many lies and misdirections he needs to spin. The Cummings depicted here has no political convictions whatsoever, just the all-consuming need to demonstrate that he knows how to bend the voting masses to his will.
The film does a pretty good job of nailing the sequence of events that led to the ‘Leave’ victory and uses a combination of lookalike actors – Richard Goulding is a pretty convincing Boris Johnson and Paul Ryan spot on as Nigel Farage – with occasional glimpses of some of the real players thrown in for good measure. It’s left to Rory Kinnear as Craig Oliver, leader of the ‘Remain’ movement, to portray one of the few sympathetic (if inept) characters in this story. His bewilderment as he sees the possibility of winning the campaign rapidly slipping away from him is palpable and there’s a lovely scene where he and Cummings have a pint together and realise just how much of a game-changer the referendum has been – and how little the two men have in common.
It’s to the film’s credit that it never really takes sides. The Remain campaign is shown to be out of touch, unable or unwilling to change its traditional approach to suit the social-media-dominated times. Leave voters aren’t demonised either – they demonstrate legitimate concerns about the way they’ve been increasingly sidelined over the years.
If nothing else, this is eloquent proof that Cummings, a man who cares not a jot about political values might have no hesitation in flouting a set of rules he helped to create – and why Johnson and his crew might be so desperate to hang onto him, no matter what the cost to their credibility.
While I can’t say I enjoy this film – it feels suspiciously like having my nose rubbed in something rather nasty – it’s a thoroughly decent investigation of recent political history. And those seeking answers will find them here.