Stupid Cupid


Underbelly, Med Quad

Stupid Cupid marks Canadian Liz McMullan’s first show on the Fringe, a one woman monologue written by Kerianne Cameron and Miguel Eichelberger. McMullan plays the titular wannabe cupid, who has come along to the venue to take her ‘cupidity test.’ She hopes to be awarded an official set of wings, at which point she will be allowed to go forth and wreak havoc on an unsupecting world with her little bow and arrow

But an administrative error has left several other bows stored in the room where she’s taking her exam. These are the infamous Bows of Destiny, belonging to her illustrious predecessors, and she has been warned not to go near them. But, when she inadvertently spikes herself with a love arrow, she cannot help but pick up each bow in turn, to try it out for herself…

I’ll confess that my first impressions of this are not promising. The concept feels a little too sacharine for my taste and I’m fully expecting not to enjoy it – but McMullen soon wins me over with her assured and confident performance, interracting expertly with the audience and displaying not one ounce of inhibition as she careers through all aspects of love from prim and correct to downright saucy. (A gentle word of warning. This may not be suitable for children.)

Love, we learn, is a complicated process – and McMullen is the perfect guide to help us steer a path through the potential pitfalls.

Charming and thoroughly enjoyable stuff. Those of a romantic disposition, should pop along for further instructions – and it seems, there’s even hope for grumpy old devils like me.

4 stars

Philip Caveney


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