It’s ironic that before the screening of Maggie’s Plan, we’re shown a trailer for Cafe Society, the kind of film that Woody Allen makes now – ironic, because the main feature is the kind of film that he used to make, back at the height of his powers. Greta Gerwig stars as the titular heroine, a self-confessed control freak who believes she has her whole life planned out in advance. Having failed to sustain a meaningful relationship for more than a few months, but deeply addicted to the idea of becoming a mother, she decides to go ahead and have a baby via insemination by Guy (Travis Fimmel) a ‘pickle entrepreneur’ who readily agrees to eschew any notion of parental responsibility. But matters become a bit more complicated when Maggie’s fellow university lecturer, John (Ethan Hawke) asks her if she wouldn’t mind reading some chapters from his novel, a thinly veiled account of his own life and marriage to the highly successful, but extremely neurotic Georgette (Julianne Moore).
As Maggie and John’s friendship develops, it soon becomes apparent that they are falling for each other and matters are compounded when, inevitably, they sleep together
Three years later, they are a couple with a toddler to look after but Maggie is beginning to realise that this isn’t anything like the kind of rosy future she’d envisaged. As well as her own child, she’s also handling the other kids that John had with Georgette and John is too intent on that blasted novel to pay her any real attention – so Maggie hatches a devious plan to get John and Georgette back together…
The film is a delight, funny, acerbic, beautifully handled by writer/director Rebecca Miller. Gerwig builds on the sterling work she did in Frances Ha and Julianne Moore submits another of her chameleon-like performances, that stays just the right side of caricature. Bill Hader is particularly funny as Maggie’s long-suffering best friend, but to be fair, there’s barely a wrong note anywhere in this movie, which is as light and palatable as a perfectly cooked soufflé. It’s interesting to note that there are no villains in this story, just a collection of people dealing with their own life issues- and there’s a delightful surprise at the film’s conclusion that makes for a truly satisfying ending.