Assembly, George Square, Edinburgh
You’ll find plenty of stand-ups at the Fringe, good, bad and indifferent but Sarah Kendall works differently to most other comedians. In ‘A Day in October’ she gives us what is essentially a protracted exercise in skilful storytelling, something that’s clearly based around real life experiences she had in her youth, in Newcastle, Australia. From her vivid descriptions of the inhabitants, it wasn’t on the tourist routes. This is the story of George Peach, a boy at her school who was constantly bullied and it’s about the awful accident that turned his life around.
Kendall really excels here, building the story piece-by-piece, layer-by-layer, dropping a whole bunch of clues that really should warn us about what she’s going to do, but at the same time, expertly misdirecting us so that the final twist, when it comes, is absolutely shattering. I don’t want to give the impression that this is not brilliant comedy: it is, and those in search of a good laugh will not be disappointed. But there’s also a deeper intelligence at work here, something which elevates this show above much of the competition.
The term ‘comedy gold’ is often used but rarely as thoroughly deserved as it is here.