


11/08/24
Roundabout at Summerhall, Edinburgh
Are you a VL? It stands for ‘Virgin Lips,’ which means you’ve never kissed a lassie (or a laddie, for that matter). Max (Scott Fletcher) belongs in that forsaken category and he’s dreading the approach of the end of term, because that’s when people like him have to endure an embarrassing ordeal at the school disco. Luckily, his best pal, Stevie (Gavin Jon Wright), is on hand to give him some expert guidance. After all, Stevie has managed to achieve that all-important step-up by actually kissing a girl in full view of the rest of his class mates.
Sort of.
This is one of those plays in the Blue Remembered Hills tradition, where adults play kids. Written by Kieran Hurley and Gary McNair, two of Scotland’s finest playwrights, VL is a blisteringly funny account of a couple of hapless boys trying to pick a precarious path through the minefield of their own burgeoning sexuality. We are told about ‘diesel penis’ and the perils of ‘having a pinger.’ It’s an education.
Fletcher stays within the character of Max, bringing out his vulnerability and inner turmoil, a decent lad determined to get things right and to ignore the pressure to stray outside the bounds of decency. Wright plays Stevie with aplomb and also takes on the supporting roles: Wee Coza, a self-styled rap artist, whose enthusiastic but hopeless efforts are hilariously bad; the sleazy guy who Max’s Mum is running around with, happily dispensing toxic advice; and Sheila, the girl who Max has long been in thrall to and who he hopes might be the one to grant him that all-important first kiss.
But first, of course, Max is going to need some practice…
VL is a total delight from start to finish, a whip-smart comedy that also has some incisive things to say about the difficulties of adolescence and the importance of friendship. It explores the powerful pressures that can be heaped upon young men by their peers, that push them to behave in ways that are miles away from their true selves. Hurley and McNair walk their chosen tightrope with considerable skill, exposing the boys’ unwitting misogyny without ever endorsing it.
Cannily directed by Orla O’ Loughlin, VL is that rarest of things, a laugh-out-loud comedy with added depth. Pop it onto your Fringe bucket list without delay; it’s a delight.
5 stars
Philip Caveney