Susan Bear

Same Team – A Street Soccer Story

12/12/23

Traverse Theatre, Edinburgh

Street Soccer Scotland is a charity using football for positive social change, and Street 45 is its women’s programme. It makes perfect sense. Team sports promote both physical activity and social connection; they provide a sense of purpose and help build self-esteem. People experiencing poverty, homelessness or addiction; those in the care or criminal justice systems; those with mental illness or other support needs: all too often, they’re marginalised, excluded. Street Soccer Scotland aims to create a sense of hope and opportunity for them.

Same Team – A Street Soccer Story serves a similar purpose: to remove the stigma associated with certain life experiences, to celebrate the women at the centre of the tale – and to raise awareness of this most deserving charity. It’s also a cracking good play.

As we take our seats, five women drift onto the stage dressed in sports gear, stashing their belongings in lockers and beginning to warm-up. “Are you here for the try-outs?” they ask us. Several audience members get up and join in the running drills. (Spoiler: they don’t make the squad.)

Jo (Chloe-Ann Tylor) is chosen as captain. Of course. She’s the star player, and this is Scotland’s chance to win the Homeless World Cup. “There are five rules,” she tells her team. “Players always come first. We look to the future. We never leave anyone behind. We place others before ourselves. We keep our promises.”

The rules are not always easy to follow. The women’s lives are complicated. Single parent Sammy (Kim Allan) is facing eviction – again. Her teenage sons are hard work, and she’s not looking forward to moving back in with her disapproving mother. Middle-class Lorraine (Louise Ludgate) has been unceremoniously dumped by her husband after twenty years. She’s staying on a neighbour’s couch and fretting about her perilous finances.

Things are even harder for teenager ‘The B’ (Hannah Jarrett-Scott), who has only just come out of prison. She’s brittle and defensive, unable to secure a job. Meanwhile, her ex-classmate Noor (Hiftu Quasem) is still at school. She lives with her grandfather – her Nana – and he’s got dementia. A chance meeting between the pair proves fortuitous, as The B tells Noor about the Change Centre. “There’s loads going on, like fitba… You were always a good player. There’s trials on for my old team. You should come along.”

And Jo. Well. Jo’s got problems of her own.

But for a few hours each week, the women leave their troubles at the edge of the pitch and focus on the game. Their commitment to the team and to each other gives them something important to feel proud of. Slowly, they let their guards down, opening up to one another and forging friendships. Their shared sense of purpose binds them together.

Written by Robbie Gordon and Jack Nurse in collaboration with the women from the Dundee Change Centre, Same Team is a heartwarming and affecting piece of drama. The narrative is clear-eyed and unsentimental, affording the characters the dignity and respect they deserve. Director Bryony Shanahan maintains the kinetic pace appropriate to the theme, with softer, sadder moments punctuated by riotous cheering or flashes of anger. The movement feels real – even though we never see a ball or an opposing team. The light and sound (by Lizzie Powell and Susan Bear respectively) are integral to the atmosphere, especially once we arrive at the World Cup in Milan. I particularly like the way the different countries’ flags appear in the floodlights.

Perhaps I don’t quite buy finicky Lorraine’s inclusion in the team; perhaps some of The B’s jokes don’t need explaining by the other characters, but this is compelling and important theatre, with five impressive performances from the ensemble cast. Jarrett-Scott is a gifted comic actor, always able to undercut even the most heart-breaking scenes at exactly the right moment. Tylor brings the emotional heft, her Jo a smouldering fuse just waiting to explode.

Same Team – A Street Soccer Story is playing at the Traverse until the 23rd December, and – although it’s not a festive tale – it embodies the spirit of the season. Grab yourself a seat in the stands and get ready to cheer.

Oh, and make sure you know the words to Flower of Scotland.

4 stars

Susan Singfield

What Girls Are Made Of

17/04/19

Traverse Theatre, Edinburgh

We missed What Girls Are Made Of at last year’s Edinburgh Fringe, which is a shame because Cora Bissett’s autobiographical tale was a First Fringe winner there and enjoyed great word of mouth. This timely reshowing at the Traverse gives us an opportunity to catch up with it and boy, are we glad we do.

From the moment she wanders onto the stage carrying a cardboard box full of ‘memories,’ Bissett has us clutched in the palm of her hand – and she expertly delivers her picaresque story, relating her knockabout schooldays in Kirkcaldy, her early years in rock music and her exciting brush with fame when her newly formed band Darlingheart shared stages with the likes of Blur and Radiohead at the height of the Britpop phenomenon. Bissett is a superb raconteur and she knows exactly how to pull an audience into her world.

If you’re thinking that this is a piece that concentrates only on the good times, let me assure you that it also takes in the darker side of the music industry, demonstrating how a young musician’s hopes and dreams can be ground underfoot by unscrupulous record labels. There’s a reason you may not have heard much about Darlingheart, and Bisset reveals it all in excruciating detail. This part of her story speaks volumes to me: back in my teen years, I too was a hopeful in a rock band, and went through my own long dark night of the soul at the hands of the music moguls.

Lest I give the impression that this is just a solo performance, I should add that the three members of her band (Simon Donaldson, Harry Ward and Susan Bear) not only provide a kicking soundtrack for Bissett’s story, but also take on a multitude of roles, playing key characters on her journey with aplomb, Ward in particular evincing much laughter as her indomitable mother. Ward is an arresting performer, last seen by B&B in the superb Dark Carnival, also at The Traverse.

Bissett eventually emerged from the carnage of Darlingheart, learning how to survive, and finally carving out a career as a writer, performer and director. Her conclusion – that we are all a result of the various obstacles we overcome in our path through life – is cannily encompassed in a final, rousing song.

This is enervating stuff and the standing ovation the four performers receive as the last chords die away is well earned. If you can grab a ticket for What Girls Are Made Of, do so with all haste. It’s often said, but I’m saying it anyway: this is simply too good to miss.

4.8 stars

Philip Caveney