15/12/23
Cineworld, Edinburgh
Believe it or not, Godzilla is fast approaching his 70th birthday. His first screen outing was in 1954 in Ishirō Honda’s titular film, which featured a man in a rubber suit, clumsily demolishing a miniature cardboard city. Over the years, Japanese company Toho Films has produced more than thirty motion pictures starring the giant reptile, but has never managed to equal the excitement of that first venture.
More recently, American studios have tried to get in on the act, expending billions of dollars in attempts to come up with a decent version of the tale, but it has to be said that, while they’ve usually managed to get the visuals up to snuff, the human elements – even when played by bankable talent – have been found wanting. So when I start hearing rumours that Takashi Yamazaki’s Godzilla Minus One is well worth seeing, I’m initially doubtful. Honestly? Hasn’t this idea been done to death?
I’m delighted to report that my doubt was misplaced. This is surely the best version of the story since it came into existence.
It’s 1945 and Japan is rapidly losing the war. Would-be kamikaze pilot Koichi (Ryunosuke Kamiki) bottles out of going through his final mission; instead, he touches down on the remote island of Odo, claiming a fault with his plane. But the crew of engineers based there can find nothing wrong with it. And then the island comes under attack from the big G, and Koichi fails to protect the resident engineers, who are all chomped to bits except for their officer, Sosaku (Munetaka Aoki), who brands Koichi a coward.
Later, in the bombed-out ruins of Tokyo, Koichi meets a young woman called Noriko (Minami Hamabe), who is looking after Akiko, a little orphan girl she has found abandoned in the devastation, and the three of them set up as a kind of impromptu family. Koichi thinks his luck has finally changed when he lands a paid job with a crew of men aboard a little wooden boat. Their mission is to detect and detonate some of the hundreds of Japanese and American mines that still litter the waters around Tokyo. At least, that’s what they’re told.
But of course it’s only a matter of time before that pesky reptile rears its ugly head again and decides to head ashore on the rampage…
The strength of writer/director Yamazaki’s film is that he’s provided us with human characters who we actually care about, before launching headlong into all that destruction. Make no mistake, the big action sequences are there, and they are suitably impressive – but they don’t dominate the proceedings. The balance between the two different strands is masterfully done and everything builds to a climax that has me holding my breath.
Be warned, despite a 12A certificate, this film isn’t really suitable for youngsters and I note a couple of families leaving early, their kids unable to handle the subtitles and the visceral action sequences. But big kids like me, who have despaired for years of ever seeing new life breathed into this franchise, should take the opportunity to check this one out on the big screen.
It may have taken seventy years but we finally have a Godzilla worth watching.
4.2 stars
Philip Caveney
Bouquets & Brickbats 