Captain America: Brave New World

Captain America: Brave New World

18/02/25

Cineworld, Edinburgh

Heading to the screening for this, I have a wistful recollection of earlier times, when going to see the latest Marvel movie was actually something to look forward to. You know, Avengers Assemble, Guardians of the Galaxy, that kind of thing. It wasn’t so very long ago and yet it already feels like a distant memory. These days, the best I can hope for is, ‘Maybe it won’t be terrible.’

Marvel Studios are victims of their own success. Too many sequels, too many prequels, too much product. But as long as the crowds keep coming, they’ll continue, right?

There are maybe eight people in the huge IMAX auditorium this afternoon, which makes me suspect that I’m not the only one who’s bored with the MCU’s recent output. And okay, Deadpool & Wolverine did make an almost indecent amount of money – largely, I think, by daring to opt for a 15 certificate instead of the more usual 12A, but it was no masterpiece. It makes me wonder how much longer the studio can survive offering insipid releases like Captain America: Brave New World.

Mind you, on paper, it sounds surprisingly promising. Get this: recently elected American president, Thaddeus Grant (Harrison Ford) is showing signs of instability. (Given the current situation in the USA, this could have played out like a clever satire, but all too predictably, it doesn’t.) Grant sends Sam ‘Cap’ Wilson (Anthony Mackie) and Joaquin ‘Falcon’ Torres (Danny Ramirez) to Mexico to combat sneering villain, Sidewinder (Giancarlo Esposito), who has stolen some… er… classified items. A massive punch-up duly ensues. Lots of people die in polite 12A fashion – there’s no blood to speak of and the cameras never really register the impact that big explosions have on the human anatomy.

When Sam and Joaquin return victorious, exhibiting a kind of smug self-satisfaction that’s hard to endure, they discover that President Grant is acting very strangely indeed. He appears to have become fixated on the discovery of a new metal called adamantium, which can only be found on the mysterious ‘Celestial Island,’ and which he’s desperately keen to get his mitts on. On a trip to the White House, Sam and Joaquin witness an assassination attempt on the president, which is initiated by their old friend, super soldier Isaiah Bradley (Carl Lumbly). Afterwards, he has no explanation for his behaviour…

But look, I don’t know why I’m bothering to go into the alleged ‘plot’, which took no less than five screenwriters to create, since it’s mostly an excuse to throw together a series of action set-pieces, leading up to the penultimate scene where Grant mutates into… well, if I say it here, there will doubtless be indignant cries of, ‘Plot spoiler!’ – even though what happens has been blatantly revealed in all the film’s trailers and even features on the poster. I hope they paid Ford a lot of money to converted into pixels and I also hope that ace actor Tim Blake Nelson was paid a shit-ton of the stuff to wander about sporting a head like a rotting cauliflower and muttering dark threats in the role of evil genius Samuel Sterns.

I’m left with the inevitable questions. Why does Torres talk and act like a hyperactive teenager when he’s clearly in his 30s? What were those ‘classified items’ anyway? And how come, when a man turns into a Hulk, he still has a pair of pants that fit him?

At least this one comes in at just under two hours, for which relief much thanks, but if ever proof were needed that Marvel have squeezed this franchise as thin as it will go, surely here it is. But no, as the inevitable post-credit sequence grimly intones, Captain America will return…

Which sounds more like a threat than a promise.

2. 3 stars

Philip Caveney